An excellent early 20th Century Austrian cold painted bronze lamp of an Arab man selling a highly detailed Oriental carpet, with very fine colour and carefully chased surface detail. The inside fitted with an electrical light, rewired and signed to base with the Bergman ‘B’ in an amphora vase, stamped Geschutzt and numbered.
Height: 53 cm
Condition: Excellent Original Condition
Materials: Cold Painted Bronze
Book Ref Antique Vienna Bronzes by Joseph Zobel
Bergman is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental, Arab bronze and animal subjects, including Harem beauties, Arab tradesmen, Scribes and Arab Warrior and almost every animal subject that was known at the time.
His father, also Franz Bergman (1838–1894), was a professional chaser (embosser) from Gablonz, Austria who came to Vienna and founded a small bronze factory in 1860. Franz Xavier inherited the company and opened a new foundry in 1900. There he created numerous cold painted (so named because the numerous layers of polychrome paint, applied to the bronze, were not fired to fix them to the metal) figures. Many other bronzes were still based on designs by Franz Bergman, the elder.
The advent of the wide use of electricity, coupled with an interest in the Middle East, spurred the creation of large lamps depicting Arabs in various settings and occupations. These intricately crafted bronzes, which became popular throughout the world, were made to illuminate the depicted scene, not to light up a room. Prices of these lamps have skyrocketed recently, perhaps tripling or quadrupling in the last five years.
From the 17th Century onwards it was customary to go on a tour of the East – the Grand Tour – as an educational rite of passage. Visiting countries and experiencing customs they had only ever heard about in stories, these young men were keen to show their families mementos of their experience, especially the lavish subjects of the Middle Eastern Arab world. The return trip would usually include a visit to Vienna, and here the ‘souvenir’ shops supplied a plethora of beautifully crafted sculptures with an Orientalist Arab flavour. These were often acquired to show their friends and families images of their travels. Bergman was noted for his detailed and colourful work and he produced a huge number of Orientalist subjects to cater for this market including this Arab Tent Lamp.
Look out for Bergman’s distinctive signature marks: a ‘B’ in a vase shape and ‘Nam Greb’. This latter, which reads ‘Bergman’ in reverse, was often used on his more erotic pieces, which were not to the taste of his more conservative clients or his family. These include sensuous poses of young women in the Orientalist style, sometimes the erotic nature of the subject was disguised by a covering that revealed all when a button was pushed or a lever moved. Carefully sculpted animals, such as owls, could often be opened to reveal an erotic female figure inside.
For a further selection of sculptures by this artist click on Franz Bergman Sculptures