Excellent early 20th Century cold painted Austrian bronze study of a young Arab teacher modelled sitting on a chair whilst in the middle of conversation, the surface with good detail and fine naturalistic colour, signed with the Bergman ‘B’ in an amphora vase, stamped Geschutz and numbered
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Height: 10.5 cm
Condition: Excellent Original Condition
Materials: Cold Painted Bronze
Book Ref: Antique Vienna Bronzes by Joseph Zobel
Franz Bergman Sculptures
Bergman teacher– Celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental and animal subjects, including the Bergman cat, rabbits, foxes and horses.
His father, also Franz Bergman (1838–1894), was a professional chaser (embosser) from Gablonz, Austria who came to Vienna and founded a small bronze factory in 1860. Franz Xavier inherited the company and opened a new foundry in 1900. There he created numerous cold painted (so named because the numerous layers of polychrome paint, applied to the bronze, were not fired to fix them to the metal) figures. Many other bronzes were still based on designs by Franz Bergman, the elder.
From the 17th Century onwards it was customary for the young Victorian gentleman to go on the obligatory tour of the East – the Grand Tour – as an educational rite of passage. Visiting countries and experiencing customs they had only ever heard about in stories, these young men were keen to show their families mementos of their experience, especially the lavish subjects of the Middle Eastern Arab world. The return trip would usually include a visit to Vienna, and here the ‘souvenir’ shops supplied a plethora of beautifully crafted sculptures with an Orientalist Arab flavour. These were often acquired to show their friends and families images of their travels. Bergman was noted for his detailed and colourful work and he produced a huge number of Orientalist subjects to cater for this market including this Arab bronze Coffee Vendor.
Look out for Bergman’s distinctive signature marks: a ‘B’ in a vase shape and ‘Nam Greb’. This latter, which reads ‘Bergman’ in reverse, was often used on his more erotic pieces, which were not to the taste of his more conservative clients or his family. These include sensuous poses of young women in the Orientalist style, sometimes the erotic nature of the subject was disguised by a covering that revealed all when a button was pushed or a lever moved. Carefully sculpted animals, such as owls, could often be opened to reveal an erotic female figure inside.
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