Standing Arab

Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab
  • Franz Bergman Vienna Bronze Standing Arab

Very fine Orientalist styled cold painted Arab bronze figurine modelled as a North African Arab gentleman in full period attire with obligatory fez. The bronze with lightly worn naturalistic colour and crisp detail. Signed to back of bronze  with the Bergman ‘B’ and ‘Geschutzt’ with reg No. 2397.

Bergman was noted for his detailed and colourful work. He signed with the letter ‘B’ in an urn-shaped cartouche and often ‘Geschutzt’. The Geschutzt mark showed that the design had been registered to the foundry and serves to date the piece to around the turn of the century.

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£ 2,850

Additional Information

Height

Condition

Circa

Foundry

Materials

Cold Painted Bronze

Book Ref

Antique Vienna Bronzes by Joseph Zobel

Franz Bergman Sculptures

Arab Bronze – Celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental, Arab bronze and animal subjects, including Harem beauties, Arab tradesmen, Scribes and Warriors and almost every animal subject that was known at the time.

His father, also Franz Bergman (1838–1894), was a professional chaser (embosser) from Gablonz, Austria who came to Vienna and founded a small bronze factory in 1860. Franz Xavier inherited the company and opened a new foundry in 1900. There he created numerous cold painted (so named because the numerous layers of polychrome paint, applied to the bronze, were not fired to fix them to the metal) figures. Many other bronzes were still based on designs by Franz Bergman, the elder.

Orientalist Subjects

From the 17th Century onwards it was customary for the young Victorian gentleman to go on the obligatory tour of the East – the Grand Tour – as an educational rite of passage. Visiting countries and experiencing customs they had only ever heard about in stories, these young men were keen to show their families mementos of their experience, especially the lavish subjects of the Middle Eastern Arab world. The return trip would usually include a visit to Vienna, and here the ‘souvenir’ shops supplied a plethora of beautifully crafted sculptures with an Orientalist Arab flavour. These were often acquired to show their friends and families images of their travels. Bergman was noted for his detailed and colourful work and he produced a huge number of Orientalist subjects to cater for this market.

Look out for Bergman’s distinctive signature marks: a ‘B’ in a vase shape and ‘Nam Greb’. This latter, which reads ‘Bergman’ in reverse, was often used on his more erotic pieces, which were not to the taste of his more conservative clients or his family. These include sensuous poses of young women in the Orientalist style, sometimes the erotic nature of the subject was disguised by a covering that revealed all when a button was pushed or a lever moved. Carefully sculpted animals, such as owls, could often be opened to reveal an erotic female figure inside.

Animal Subjects

Animal figures can, occasionally, be found for a few hundred pounds, though sculptures in pristine condition and larger figures can be worth several thousand pounds. Value is affected by condition. The cold painted decoration is relatively easy to damage and worn Enamel will reduce value considerably. Restoration can also reduce the value considerably, especially when done in a non-sympathetic manner.

 

For a further selection of sculptures by this artist click on Franz Bergman Sculptures