A very fine late 19th Century Animalier gilt bronze study of a standing cockerel with his chest pushed out in a proud pose as he crows to the eraly morning sunshine, the bronze surface with excellent deep golden colour and fine hand finished detail, signed A.Cain
Height: 45 cm
Condition: Excellent Original Condition
Book reference: Bronzes of the 19th Century by Pierre Kjellberg
Page No: 164
Caïn was born in Paris, and studied under Rude, Guionnet, and Pierre-Jules Mêne (whose daughter he married in 1852). His first exhibit in the Salon of 1846 was a wax model of a linnet defending her nest from a rat, later cast in bronze and shown at the 1855 Salon. Between 1846-1888, Caïn exhibited 38 models at the Salon. From 1868 onwards he concentrated on monuments, including the Chiens de meute at the Château de Chantilly, Le Lion de Nubie et sa proie in the Jardin du Luxembourg, and Tigress and Peacock in the Gardens of the Tuileries. In 1879 he assumed management of his father-in-law's foundry upon Mêne's death.
Henri Caïn, a well known librettist, and Georges Cain, the painter, were his sons.
Roosters almost always start crowing before four months of age. Although it is possible for a hen to crow as well, crowing (together with hackles development) is one of the clearest signs of being a rooster. The rooster is often portrayed as crowing at the break of dawn ("cock-a-doodle-doo"). However, this idea is more romantic than real, as a rooster can and will crow at any time of the day. Some roosters are especially vociferous, crowing almost constantly, while others only crow a few times a day. These differences are dependent both upon the rooster's breed and individual personality. A rooster can often be seen sitting on fence posts or other objects, where he crows to proclaim his territory. Roosters have several other calls as well, and can cluck, similar to the hen. Roosters occasionally make a patterned series of clucks to attract hens to a source of food, the same way a mother hen does for her chicks.
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